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Well known now for his higher-level training of professional and technical divers, along with a wealth of experience Johan began life in Netherlands and completed his first dive in Tunisia with CMAS in 1996. Immediately impressed he purchased all his own equipment and rose to instructor level in a short time. He concentrated on specialising so he could broaden his knowledge which is where Johan developed his passion. After divng on the wrecks in the North Sea he found his calling and continued training in wreck diving and Trimix so he could explore deeper sites that hadn’t had their treasures pillaged like the wrecks at shallower depths. “At greater depths I found the wrecks were more intact. I am talking about wrecks 80 meters and these wrecks are less exposed and also in better condition because they are not so exposed as those at shallower depths.” Johan de With selfie. To help him explore even more depth, his dive training led him onto rebreathers. He realised the limitation of many of his open circuit dives was the number of cylinders he could carry it seemed only natural for him to transition from open circuit. “In 2015, together with Markku Diedrich, I dived a world record mixed team in Lake Thun, Switzerland (fresh, cold water) I was on OC and Markku on CCR where we travelled to a depth of 166.5m.” Recording of the team’s deepest dive in a book of records. Johan’s deep accolades do not end there. “On the rebreather I dived into caves to a depth of 14m. On open system in the caves up to 103m. On the rebreather in open water up to 183m. Open water on open system 166.4m.” Johan now works as commercial diver and an instructor at the only private institute of commercial professional diving in the Netherlands. He also teaches deep technical diving and has his own gas filling station, Techduikschool Nederlands. An important part of his diving is communicating information to the dedicated team of Dive Engineers at Suunto HQ as he puts computers to the test in the field and ensures they meet strict performance targets. The infomation Johan feeds back allows the engineers to improve and fine tune devices allowing for the best user experience and in turn lets divers focus on the action and rely on their robust companions in the toughest conditions. In action training professional divers in the Netherlands. “I dive and test a lot for Suunto and share as much information as possible and give feedback about these computers both positively and negatively. I currently dive with the EON Steel and the EON Core and with the also since its release, the Suunto D5. I use this during all my dives both OC in open water and caves and CCR in open water and in caves. As a backup I have my bottom timers with wet-note, and a spare computer in my pocket. Everywhere and always, even with commercial diving I take the Suunto D5 into the water. I do this so that I also have a digital log of all my commercial dives.” Suunto Dive computers stand the test of these extreme adventures alongside Johan. Johan is not just an Ambassador for Suunto Dive, he represents brands including Ursuit and Bare drysuits, Tecline, Ammonite for lighting and Paralenz to capture the action on camera also with great satisfaction and pride. "Regardless of environment depth or length of the dive or type of dive OC or CCR, technical diving must be feasible for everyone regardless of their financial status. These are brands that certainly think of the customer with price quality. I notice these companies listen and do a lot with the feedback given by us as Brand Ambassadors and testers of these materials.” Jyri Vehmaskoski, Suunto EON Steel product team: "You don't dive if you don't trust your equipment. Everything we build is tested by real-world divers like us. Our gear is functional, accurate, and built to take a beating – and has hundreds of test dives to prove it." Learn more about Suunto Dive products at suunto.com

Steve Woods has amassed stacks of content illustrating his experiences underwater including thousands of photos that represent the true devastation of the human impact on our natural world. Through his photographic artistry he has successfully utilized his talent to tell the world this sad story that everything is not OK and we need to initiate change. The Driving Force Steve’s dedicated parents drove for hours across the UK so that they would be able to make their son’s dreams come true, they would take him to any shark exhibition they could locate until one day, there was to be a real shark on display. He was on the edge of his seat, apprehensive, and excited about what he was going to see. On arrival Steve rushed to find the shark only to be confronted with a papier maché model instead. Unperturbed by the severe disappointment, the young wildlife enthusiast did not give up his quest to see a real shark. © Steve Woods Photography Steve began diving at nine years old and with his family and qualified alongside his parents and two sisters in Turkey when he was twelve. “When I was a kid I used to watch old VHS documentaries, I had three or four of them that I collected over the years, relics from birthday and Christmas celebrations gone by I would view them over and over until they tapes wore too thin to play. At any chance I could I would beg my parents to take me down the local garden centre that had an aquarium inside to see the ragged tooth and the grey nurse sharks. I would sit there for hours just watching it slowly doing laps around and around the tank,” reminisces Steve. Fifteen years later he saw the shark he had been dreaming of. The Journey Steve spent his early career working in journalism in the UK driven by a deep seated desire to change the world and make it a better place. Steve grasps the importance of illustrating the issues we face as a community and wants to reach people who perhaps have a lesser understanding of the impact of their everyday actions. During his journalist years he committed a lot of time uncovering the detrimental aspects of fish farming and fisheries and spent time underwater to see how the problems could be managed and minimised. The 2008 shark experience Steve had in Indonesia stayed with him and he soon found himself burning his savings on new camera equipment, securing a one way ticket to Indonesia and leaving the world of British journalism far behind for a life of adventure and to use his photography skills to help protect the oceans. Once he arrived in Lombok he took up work with local dive centres and photographed guests on their diving adventures so they could take home cool memories from their dive trips. The experience was valuable as it gave him a deeper understanding of how to capture light in water and the technicalities of shooting stills under the sea in order to capture the powerful and clear images he does today. Soon he found himself involved in setting up a shark conservation foundation alongside a team of local groups and conservation projects called the Gili Shark Foundation. © Steve Woods Photography Gili Shark Foundation “We began photographing sharks, we thought they were all the same as did the community. When we started identifying them we noticed there were many more than we initially thought there were. Gili Shark Foundation was a great way to get the whole island working together. Everyone was involved in shark counts, events and data collecting.” Steve had achieved what he set out to do by using his passion to highlight nature and the human impact. After a successful time in the Gili islands he moved to Raja Ampat to continue working in conservation. Plastic is prevalent in remote areas, as well as most other environments and Raja is experiencing the same issues. Steve worked with the local communities to show them how to start and maintain effective conservation efforts in areas that have potential. The key to successful conservation projects is longevity with a clear plan for the future. “The only way to change the human habits it by educating an involving the local communities. If you go in and rule over a population then it is an imperialistic act. When we came to Raja, the locals were well aware the plastic waste was increasing and that fish stocks were decreasing. We worked together to come up with a plan that would enhance their lives and make them more money.” Steve says. Looking back on his career so far, he talks of many memorable moments working underwater including humpback whale, shark, manta encounters but he considers the smaller experiences that really stick with you as a photographer and as a human. “Originally when we set up the shark foundation we were rescuing sharks from fisherman in Bali and then we got permission from the government to release them into a fishing projected area in Lombok. First time I had ever done anything like this. We completed research, spoke to people and made plans. Collected the animals and sent them off on a fast boat to be released into water. Who knows if they were going to survive, but we had given them a chance.” Steve says. Three months later they identified that same shark by the dot pattern in the skin. Steve acknowledges this is a small achievement while 200-400 million sharks slaughtered every year, but this moment struck a chord and the feeling has stayed with him. More and more he uses his photography working alongside marine conservationists to support their work and he hopes to grow this reach and increase the impact. © Steve Woods Photography The Future “Visual language is so important nowadays, if people know they can change their minds.” Ask Steve how he will change the world in the future, he will tell you “one step at a time”. © Steve Woods Photography Suunto took five lucky competition winners of the trip to Raja Ampat on the Suunto D5 photo shoot, they were dive instructor Rosie Sheb'a from Australia, student Niko Lekhraj from Singapore, outdoor guide Anders Vestergård from Denmark, designer Xiaomo "Momo" Wang from China and nature activist Lilian Ellevog from Norway. See them diving in Suunto D5 images and videos.

インドネシア・西パプアのラジャアンパットは、色鮮やかなサンゴ礁と多様な海洋生物で知られる、世界有数のダイビングエリアです。 しかし、この海の豊かさは偶然に守られてきたわけではありません。ラジャアンパットのクリ島でダイビングリゾートを築いたマックス・アマーは、地域の人々の仕事と自然保護を結び付け、サンゴ礁を未来へ残す仕組みづくりに取り組んできました。 この記事では、沈没した戦時車両を探して島へ渡ったマックスが、なぜエコリゾートをつくり、地域の仲間と海を守るようになったのか、その歩みを紹介します。 映像：Janne Kasperi Suhonen © Steve Woods Photography 目次 ラジャアンパットとは マックス・アマーと海との出会い 2匹のウミガメから始まった物語 まだ存在しないリゾートを売る 地域の仕事が海を守る力になる 豊かなサンゴ礁を未来へ残す ダイバーができること Suuntoでダイビングを記録する まとめ ラジャアンパットとは ラジャアンパットは、インドネシア東部の西パプアに広がる島々です。暖かい海、複雑な島の地形、マングローブや海草藻場、栄養豊富な潮流などが、多様な海洋生物を支えています。 サンゴ礁、マンタ、ウミガメ、魚の群れなどを目当てに世界中からダイバーが訪れますが、豊かな自然ほど繊細です。ダイビング観光、廃棄物、プラスチック、沿岸開発などの影響を抑えながら、地域の暮らしと自然保護を両立させることが重要になります。 ラジャアンパットは2023年にユネスコ世界ジオパークへ認定されました。これは美しい景観だけでなく、地域の地質、生態系、文化を守りながら持続可能な発展を目指す場所であることも示しています。 マックス・アマーと海との出会い マックス・アマーは、動物の保護に取り組む両親のもと、ナイジェリアで自然に囲まれて育ちました。家族は傷ついた鳥、ワニ、チンパンジーなどを保護し、可能であれば野生へ戻していたといいます。 1982年、マックスは軍でダイビングを学びました。当時の訓練は楽しい経験ではありませんでしたが、そこで「諦めないこと」を学んだと振り返っています。 その後、第二次世界大戦後に海へ廃棄された航空機や車両の情報を手掛かりにインドネシアへ渡り、沈没物を探すようになりました。島々を訪ねるうちに、マックスは海だけでなく、地域の人々の温かさにも引かれていきます。 マックス・アマー。© Steve Woods Photography 2匹のウミガメから始まった物語 元記事には、マックスの考え方を象徴するエピソードが紹介されています。 ある日、海辺に立つ若い漁師のカヌーには、捕まえた2匹のウミガメが載っていました。マックスは漁師と話し、代金を支払うと、2匹を海へ逃がしました。驚く漁師へ伝えたのは、シンプルな言葉でした。 「私はウミガメが好きなんだ」 やがて、その漁師はマックスが運営するリゾートで最初のダイブガイドになりました。自然を守ることと、地域で安定した仕事をつくることがつながった瞬間です。 まだ存在しないリゾートを売る マックスが考えたのは、地域の人々と働きながら、海を守ることを事業の中心に置くダイビングリゾートでした。 彼はまだ建物が完成していない段階でダイビングショーへ出展し、植物や地域の品々を使ったブースで構想を紹介しました。「3組の予約が入れば計画を進めよう」と考えていたところ、結果は2年分に相当する予約だったといいます。 マックスは急いで島へ戻り、地域の仲間へ建設を始める必要があると伝えました。最初のゲストが到着したとき、建設チームが裏口から出るのと入れ替わるほど、完成は直前だったそうです。 © Steve Woods Photography 地域の仕事が海を守る力になる リゾートで働くようになった人々の中には、かつて伐採、漁業、サメのひれを目的とした漁、密猟などに関わっていた人もいました。教育や安定した仕事へアクセスしにくい、遠隔地ならではの事情が背景にありました。 ダイブガイド、ボートスタッフ、リゾート運営などの仕事が生まれることで、自然を消費する以外の収入が得られ、家族の生活と教育を支えられるようになります。そして、海の状態が地域の仕事へ直接つながるため、サンゴ礁や魚を守ることが自分たちの未来を守ることになります。 自然保護を外部から押し付けるのではなく、地域の人々が中心となって続けられる仕組みにする。この考え方が、マックスのプロジェクトを支えてきました。 © Steve Woods Photography 豊かなサンゴ礁を未来へ残す マックスとチームは、事業の初期からサンゴ礁の保護を優先してきました。元記事では、研究者による調査でハウスリーフの魚種が記録され、その後の再調査で同じ海域の確認種数が増えていたことが紹介されています。 ただし、1回のダイビングで確認できる魚の数は、季節、潮流、観察方法、調査範囲などにも左右されます。重要なのは「世界一」という称号だけではなく、長期的な観察を続け、保護の結果を確かめながら管理を改善することです。 島の自然を守りながら観光を続けるには、廃棄物の管理、再生可能エネルギーの活用、自然への負荷を抑えた施設計画、地域や行政との協力、ゲストへの教育が欠かせません。 マックスは、環境への影響を完全にゼロにはできないからこそ、その影響を把握し、できることを積み重ねる姿勢が大切だと語っています。 ラジャアンパットの海を守るためにダイバーができること 遠くの海を訪れるダイバーも、その場所の未来に関わる一人です。ラジャアンパットに限らず、自然豊かなダイビングエリアでは次の行動を意識しましょう。 サンゴへ触れたり、フィンで蹴ったりしないよう中性浮力を整える 野生生物を追い回さず、餌付けや接触をしない 地域のルール、海洋保護区、ダイビング事業者の指示を守る 使い捨てプラスチックを減らし、ごみを適切に持ち帰る 日焼け止めを含め、海へ持ち込む製品の成分と使用方法に配慮する 地域雇用と自然保護に取り組む事業者を選ぶ 自分の経験と体調に合わない海況では無理に潜らない 写真を撮ることやログを残すことも、その海への関心を長く保つきっかけになります。ただし、撮影や機器の操作へ集中しすぎず、浮力、残圧、深度、潜水時間、バディの状態を優先してください。 © Steve Woods Photography Suuntoでダイビングを記録する Suunto Oceanは、ダイビングと日常のスポーツを1台で記録したい人のためのダイブコンピュータ＆GPSスポーツウォッチです。 Suunto Nauticは、大きなAMOLEDディスプレイと長時間のダイビングを重視する人に向けたダイブコンピュータです。 Suunto Nautic Sは、コンパクトなサイズで、ダイビングから日常まで使いたい人の選択肢です。 ダイブコンピュータは、安全なダイビングを支える重要な道具ですが、認定講習、適切な潜水計画、バディとの確認、現地ガイドの指示に代わるものではありません。使用前に対応するユーザーガイドを読み、表示と操作を理解してください。 ▶︎関連記事：「初心者ダイバーが安全に上達するための7つのポイント」 まとめ｜豊かな海は、地域とダイバーが一緒に守る ラジャアンパットの魅力は、魚やサンゴの多さだけではありません。自然を守ることが地域の仕事と教育につながり、海の豊かさが次の世代の暮らしを支える。その循環こそ、マックス・アマーと仲間たちが築いてきた価値です。 ダイバーは海を訪れるゲストです。美しい景色を記録するだけでなく、現地のルールを守り、自然への負荷を減らし、保全へ取り組む地域や事業者を選ぶことが、海を未来へ残す力になります。 海で過ごした時間を、次のダイビングへつなげる Suuntoのダイブコンピュータで潜水データを記録し、一つひとつのダイビングを振り返りましょう。 Suuntoのダイビング製品を見る

On the white sun drenched shores of Roatan Island the gentle sound of the Caribbean Sea’s crystal clear water tentatively exploring the sand is lost behind the dissonance of diving activity coming from a dive platform located not far from the beach. Divers are descending, safety protocols are being fine tuned, Alex St-Jean the official event photographer is testing his underwater camera equipment while the final training rehearsals are being observed in preparation for the CMAS World Championships that fin-kick off with an almighty duck dive on 6thAugust 2019 lasting five days. The event has been organized by Esteban Darhanpé at the Roatan Freediving School and Training Centre. Chilling in the warm waters of the Caribbean Sea, Roatan Island is situated alongside a part of the 1000km of Mesoamerica Barrier Reef, the second largest reef system in the world. The best of the best from around the globe are gathered to compete at the event. They compete not only to win but to be to a part of the freediving community. A common misapprehension of freediving is that it is all about gaining the depth and in competitions this may be the case. Competition diving and its many disciplines are only one aspect of the sport. For most freedivers, the sport is just about hanging out with friends and exploring the underwater world. “To the observer, freediving is all about serenity and calmness – a peaceful interaction with the underwater world. It is exactly all these things, which is why competition freediving presents such a unique challenge.” says Will Trubridge, Suunto Ambassador and World Champion. “The conditions of a competition are slightly different to a world record attempt. In a competition you have an official pre-set time and there's a lot more people around – spectators and media. It's not as controllable as with a world record attempt,” says Will. William Trubridge captured by photographer and freediver Alex St-Jean © Organizations CMAS- The World Underwater Federation/Confédération Mondiale des Activités Subaquatiques founded in 1959 and is an international federation that organises underwater activities and events and is amongst the leaders in the scientific and technical research and development. It also acts as a training standards agency in snorkel and scuba training. AIDA- International Association for the development of Apnea was created in 1992 after the film release for Big Blue. The rise in training freedivers and record breakers was developing at a vast rate and the AIDA was founded to keep track on the growing interests. The largest organization world wide of freediving event organizers, it also actively participates in scientific and technical research and development to help the world see freediving not as a thrill seekers sport, AIDA wants the recognition that “freediving is safe, fun, challenging and a fantastic blend of inner peace, concentration, technique, training, friends and team work”. Disciplines CNF- constant weight no fins is often talked about as being the purest form of freediving unassisted CWT- Constant Weight with Fins discipline means the diver can wear fins, however they are only allowed to touch the rope to stop their descent and start their ascent. This discipline tends to give the deepest performances. CWB- Constant Weight with Bi Fins. More monofins than you can shake a pair of bi fins at. FIM- Free Immersion is a more relaxed dive where the diver can use the rope to pull themselves along using the rope, the diver is not allowed to wear fins on the dive. Competition Terms Safety Teams/Safety Diver- the Dive Safety Team is headed up by Italian Freediver Marco Cosentino and is currently holding the position of Chief of AIDA Safety Committee. He has a team of twelve safety divers there for support including Suunto Ambassador Sofia Gomez’s coach, freediver Johnathan Sunnex aka Johnny Deep. Announced Dive Time- the official target time the diver will take to complete the dive, must be announced pre-dive. “You announce your dive on that day. If something goes wrong, then you don't have a second chance. It creates more of an element of chance. There is also a lot of sleuthing and spying to find out what other freedivers have done in their training to gauge how they're performing, and using that information to make pronouncements.” Says William Trubridge. Official TOP- Time of Performance, as during the competition the organisers will be sticking to strict scheduling and the divers are assigned a time the dive must commence so all pre-dive preparation must be completed by the official TOP. Duck Dive- the way a free diver ‘enters’ the water is by this type of dive as it gets the diver in a good position for descending and helps them along to few meters deep very quickly. Freefall- once the diver reaches the point of negative buoyancy on their descent and begins to sink in a state of complete relaxation without finning down. This year we have spotted the athletes with strings tied around their thighs, Will Trubridge uses his to slide his thumbs in place so his arms stay positioned during freefall in order to conserve every bit of energy. It is this part of the dive that can induce the most pleasant feelings. Many freedivers feel euphoric as they enter an almost trance-like state. Tag- a marker the diver must grab and bring back up to the surface when competing in depth competitions. PB- personal best is the athletes, longest or deepest dive they have achieved. Can also be measured by distance. Surface Protocol- the sequence a freediver must completion upon reaching the surface after a dive in a competition to convince the judges that the diver is lucid and not unconscious. The diver must face the judge’s direction remove googles and nose clip, give the OK signal and say in English “I am OK”/I’m OK” with a 15 second time limit. Hypoxic- where the body is in a state of inadequate oxygen at tissue level. If the diver doesn’t get to the surface with enough oxygen to be lucid enough to complete the surface protocol they will be disqualified. Cards- white, yellow or red. The judges will show a card at the end of each competition dive to signal whether the diver has had a fine performance with no penalties, yellow means the dive was completed with penalties and red signals disqualification from the dive. World Championships Schedule AUGUST 6th OPENING CEREMONY Much like the opening ceremony of the Olympics we hope to see the atheletes parading around Roatan wielding flags, looking strong and generally building the hype, however it may be more of a technical meeting! AUGUST 7th CNF COMPETITION DAY Suunto Ambassador William Trubridge holds the world record in this natural discipline. Will set a new world record in freediving by diving to 101m with no fins in Dean's Blue Hole in the Bahamas. The new world record was set mere three days after he established an astounding new world record dive of one hectometre. Will's record-setting and mind-boggling constant no fins dive to 101 meters took 4 minutes and :08 seconds to complete. Watch it here: AUGUST 8th CWT COMPETITION DAY Constant weight APNEA. This discipline means the diver can wear fins, however they are only allowed to touch the rope to stop their descent and start their ascent. AUGUST 9th REST DAY Rest day for re-ups on oxygen and rest. AUGUST 10th CWB COMPETITION DAY More monofins than you can shake a pair of bi fins at. AUGUST 11th FIM COMPETITION DAY / AWARD CEREMONY / CLOSING PARTY The winners get to take home a magnificent Suunto D5 dive computer and also collect a cash prize. Sofía Gómez Uribe taken by freediver Johnny Sunnex @johnnydeep110 © Follow on Instagram @Suunto Dive to keep up with Sofía Gomez Uribe as she takes over for all latest news from the dvie platform. Click here to see the offical Facebook page for the comptition.

Diving rich, rainbow colored coral reefs is every diver’s dream. We travel the planet to experience them, leaving us in awe of how staggeringly beautiful they are. Imagining our oceans without them is simply heartbreaking. Yet, mass coral bleaching events – due to a rise in global surface temperature – could cause all 29 reef containing World Heritage sites to cease to exist by the end of the century. The stakes have never been higher. To stop this from happening, divers, scientists and ocean conservationists are teaming up to find solutions. We look at five inspiring initiatives to save the coral, and also what you can do to help. Reef Rescuers, Cousin Island, Seychelles In a way, every diver should identify as a reef rescuer, and do what he or she can, even if only make donations, to support one of these initiatives. Starting in 2010, this huge and impressive restoration project has raised 40,000 corals in underwater nurseries, with 24,000 of these being successfully transplanted onto reefs, covering an area of a football field. The project utilised the coral gardening technique of retrieving fragments of healthy coral, growing it in protected nurseries and then transplanting it onto degraded reef to help rejuvenate it. Based on its learning, the project created a Coral Reef Restoration Toolkit for other initiatives to benefit from.   Secore Coral, Yucatan Peninsula, Mexico Starting in 2015, this pilot project researched and tested new techniques to use coral grown in land-based or ocean nurseries for restoration, waiting until they are old enough to plant out on reefs where they are then monitored. This inspiring documentary below shows what’s possible.  Pur Coral, Indonesia Coral reefs across the world need all the help they can get, including financial support from the corporate sector for restoration projects. French ​dermo-cosmetic​s brand EAU THERMALE AVÈNE partnered with Pur Projet to create Pur Coral, a project to preserve and regenerate marine ecosystems in Pejarakan, Bali. The corals had been destroyed mostly by cyanide and dynamite fishing, which are now banned there. Since its start in 2016, the project immersed 24 artificial reef structures underwater, then planted 1855 corals, from more than 15 species, on them. ​For several years Avène has engaged in an eco-responsible initiative called "Skin Protect Ocean Respect" to raise awareness about the impact of sun protection on the environment, and particularly on the marine life and corals. Av​ène has also been a leader in redesigning its sunscreen product range, minimizing the impact on the environment without compromising on optimal UVB-UVA protection for the skin. RangerBot, Great Barrier Reef, Australia Like a Swiss army knife, a state-of-the-art robo reef protector developed by researchers at Queensland University of Technology in Australia – RangerBot – has a number of functions, all designed to protect one of the wonders of the world, the Great Barrier Reef. It’s first function is to search and destroy; its incredible cameras identify invasive Crown-of-Thorns Starfish and injects them with a lethal dose of poison. It also monitors the health of the coral and water quality. It can also map vast areas underwater at scales not previously possible. World’s largest 3D printed reef, MARS, Summer Island, Maldives The Modular Artificial Reef Structure (MARS) is an ongoing project developed by industrial designer Alex Goad. It utilises 3D printing to provide a rigid skeleton on which corals can be implanted and grown. In August 2018, they submerged the first reef off the coast of Summer Island, in an area where there has never been a coral reef, and where locals have been growing corals. Alex says the ease, affordability, flexibility of 3D printing can play an amazing role in preserving coral around the world. 6 ways you can make a small difference Conscious travel Air and vehicle travel are major contributors to the rising greenhouse emissions driving the climate crisis. Consider trying to reduce both. For example, use public transport or ride a bicycle whenever you can. And when you do fly, offset the carbon emissions from your flight by using a carbon calculator, and compensating a green cause of your choice. Hands off When you’re out diving, don’t touch coral or any marine animals. Keep a respectful distance. Don’t pursue animals to get that trophy photo. And don’t collect shells and so forth as souvenirs – remember that hundreds of people dive the same site, and if every diver took a souvenir it would create a big problem. Use eco-friendly sunscreen Use sunscreens based on eco-designed, biodegradable formulas. Avoid products that have the following ingredients in them: Octocrylène, Benzophenone, Methoxycinnamate. Take a look at Avène’s sunscreen range – they are brand of choice for divers at Suunto head office. Be a tidy diver Single use plastics really are an abomination. Divers should lead the way and quit using them. Be sure to clean up any plastic trash after your dive when you’re back on land. Start “strawkling” Strawkling is a new recreation that combines snorkeling and collecting litter. Take a net-cloth bag on your next dive, and collect any plastic litter you find. Imagine if we all did this!    Change your business practices If you own, manage or work for an organisation in the global dive community, join Suunto in getting onboard with Mission 2020 and changing your business practices so they help protect and preserve our oceans for the future.

Bow of Vrouw Maria with divers. In the early stages of the work, investigations of Vrouw Maria were also illustrated by artwork. Drawing by Tiina Miettinen, Finnish Heritage Agency. Suunto’s Dive Engineer Pasi Lammi and his dive team, the Badewanne, were invited by the National Board of Antiquities in Finland to join the expedition to create a 3D model of the underwater site. This was not the first time the Bedawanne had experienced the wreck, they were amongst a team of divers in 2007 that got to explore her pristinely preserved wooden structure. Diving access on previous archaeological expeditions have been limited on the wreck due to the increased risk of disturbing the sea floor and concealing the wreck further or risking damage to the delicate structure. The atmosphere after the expedition dive in 2007. Roope Flinkman (left), Pasi Raasakka, Petri Puromies, Jussi Kaasinen, and Minna Koivikko. Photo by Ulla Klemelä, Finnish Heritage Agency. Down with the ship The Vrouw Maria is a Dutch two mast merchant ship that set sail from Amsterdam on 5th September 1771 destined for St Petersburg, Russia but it never arrived in port. During late September the Vrouw Maria entered into the Danish Straights and the cargo was last recorded at the Elsevier (Øresund) toll before she sank. It was reported that after some navigational errors through the stormy Archipelago Sea the ship lost its course and ran aground. Obtaining only slight damage to the hull, the vessel fell foul of another grounding shortly afterwards this time losing the rudder when a large wave freed the ship from the sea bed and the crew could not control the water coming. On October 4th 1771 the crew finally abandoned ship and made it to safely to nearby rocks after saving only a portion of cargo during the short window of opportunity they had as the water flooded in. There was some effort to stabilize the ship but the pumps were clogged with coffee beans leaked from cargo in the hold and finally, on 9th October 1771 the Vrouw Maria sank beneath the waves taking most of the cargo and revered luxuries down with ship. Onboard the Vrouw Maria when it sank were bags of coffee, sugar and fabric dyes. The most precious items in the hold were artworks purchased by Catherine the Great at auction that year in Amsterdam on their way to her residence. Other luxuries including mirrors, ivory eggs, and flower bulbs headed for Russian nobility that still lay in the sea bed today. Little was saved during the rescue and even less has been salvaged off the wreck since it was discovered. The positioning of the wreck on the sea bed had remained a mystery and regard was lost in the wreck for over 200 years. However, interests peaked in the 70’s when Dr Christian Ahlström discovered documentation of the incident in the Finnish National Archives that he then published. His findings in 1979 sparked an exciting search mission that was to last twenty more years. A wreck was discovered in 1999 by the Pro Vrouw Maria society using a side scanner under Rauno Koivusaari’s leadership, and was positively identified as the Vrouw Maria. Now twenty years later on the anniversary Suunto’s very own Dive Engineer Pasi Lammi has been invited to dive the wreck and take part in the 3D modelling project. Pasi and his dive team, the Badewanne Team are committed to working alongside the Finnish Board of Antiquities, Military Museum of Finland and collaborators from around the world in a bid to preserve the Baltic history. Pasi’s office location 2012 Virtual Simulation During 2012, at an exhibition called ‘Lost at sea, rediscovered’ there was a virtual simulation of the wreck that visitors of the Finnish National Maritime Museum could visit. This impressive footage was honoured with an award at the Europa Nostra Awards 2015 competition of the European Union. “Through a simulation constructed by Aalto University and the Finnish Heritage Agency, the general audience could examine in detail the treasure ship, which in reality is difficult to access. At the time, the Vrouw Maria simulation was a totally novel way of visualising the underwater world and making it accessible.” The virtual simulation of the Vrouw Maria wreck received a special nomination in the research and digitalisation class of the Europa Nostra Awards 2015 competition of the European Union. Image by the Finnish Heritage Agency. The Revisit - 3D model of Vrouw Maria Now with team of volunteer divers who are revisiting the wreck and taking the latest in photo 3D modelling technology underwater to create an ultra-realistic interactive map of the wreck site people will be able to appreciate the ship in all its glory from above the water. The divers use a mix of videos, photos and photogrammetry to create the final product that will illustrate how far technology has come since the 2012 simulation and give a more in depth look at the wreck. “Today was the first day and our initial mission was set up for the modelling to begin. We experimented moving the camera into different locations to get the best views of the wreck and setting up attachments to secure cameras. After this the team and I then test documented two locations so we could present the findings for the Finnish National Heritage agency. The project has just begun and the results will be released soon, and we certainly are excited to see the results.” Pasi comments. Pasi shared his dive profile from his Eon Steel paired with his Suunto App we can re live his dive with him. The completed project will go on display at the new Stockholm Treasures of the Baltic that is scheduled to open its doors in 2020. Before the final model opens at the museum you will be able to view the first version of the project on the twentieth anniversary of the discovery of Vrouw Maria, 28th June 2019, on the online 3D modelling platform, Sketchfab.com. About Pasi Lammi Pasi Lammi lives in the city of Espoo, Finland. He started diving in 2007 and had his first dives on a rebreather in 2009, after which he made the switch to JJ-CCR in 2014. His diving certifications include IANTD, NSS-CDS, PADI, NAUI and CMAS accolades and instructor level for both NAUI & CMAS training agencies where he teaches diving both in Finland and Estonia. He is an active instructor and teaches both recreational level divers and technical but his heart lies in the technical side of diving. Pasi is also a very active dive club member and joins in activities with a number of local dive clubs. When he is not training you will find him diving wrecks in Baltic Sea or mines in the Nordic countries. For Pasi diving is not only about seeking experiences of his own but also working as part of a team and sharing the experiences with others by the means of documentation of historical interests. He enjoys taking underwater images, videos and now working on 3D modelling projects has brought a whole joy to his diving. He takes great pleasure in contributing to the discoveries of new historical facts and building up the bigger picture of his cultural heritage. Filling cylinders on location in preparation to explore the Vrouw Maria on the anniversary dive, 2019.